ANOZEL

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Bio

ANOZEL is a small and rather uninteresting Vosges pass linking two villages, as there are many of them, clouded with this small dose of unease.
This one, exactly, yes.
The place where you usually arrive by mistake, almost lost.
Right there.
This untold discomfort that sticks to the place as well as to the atmospheres that fill it.
The irony of this birthday balloon deflating with a farting noise, escaping the dirty emptiness of this sad party,the one where no one came.

ANOZEL is a band born in October 2017 in an empty and misty municipal campsite in the Hautes Vosges (North-EasternFrance).
DIY spirit, ambiences with a sticky and bewitching ambition, and irrational love for alloons, ANOZEL dives by taking its time, a melodic cloud that spreads out, destroying any musical restriction other than material, struggling weakly in the exponential marasmus of emotions and disappointments.

Behind ANOZEL are four personalities as unique as they are different, as comfortable behind an instrument as they are confused when it comes to creating a human interaction. “The delicate charm of the current world’s misfits”.

The thing


Winter 2019.
Somewhere in North-Eastern France, in a building with no running water or
heating, a few notes resonate.
It is this empty shell that will be the cradle of PADDY’S CLUB.
Recorded on a century-old scar, the place gave its substance, its picture and
its name to PADDY’S CLUB.


Melodies sticking to the neurons like soles on the ballroom floor soaked in a
sludge of cotillions, soft snack cakes and spilled beers.
Bitterness and regret, remorse, weariness.
PADDY’S CLUB is tinged with these moods, vomiting out these phrases that
we receive and forget, these little words that we collect as if to better
reassure ourselves.
PADDY’S CLUB is an abusive tale of changes, breaks, disasters, love
and death. By noting and looking – with a slightly damp eye.
Sincere. Raw. Personal.


PADDY’S CLUB was logically supposed to be released in March 2020,
just when said logic stopped making sense.
As from constraint comes creativity, ANOZEL took advantage of the a n o z e l
PADDY’S CLUB blow of the first confinement to experiment with the creation of a remote album, THE ETERNAL SUNDAY, released in October 2020, putting the release of PADDY’S CLUB on hold.
After two years of incubation, PADDY’S CLUB is now offered naked to this dying world.

PADDY’S CLUB will be released on 17/01/2022, in Digipack and Digital on Wild Bless You! Records, label of the FOUNDING OUR OWN GLORIOUS CHAPELS Collective, with pure ideals, which has offered its friendship without restraint since the release of The Eternal Sunday.

ANOZEL live @ Studio Montignons !
Click here : https://www.facebook.com/anozelmusic
And here : https://anozel.bandcamp.com
And also here to support our label and buy stuff : https://welcometothechapel.bandcamp.com

Discography

Paddy’s Club

  • Wild Bless You ! Records – January 2022 / The Wild Bunch *
    Record available on : welcometothechapel.bandcamp.com
    Anozel and Wild Bless You ! Records are working hand in hand.
    DIGITAL RELEASE : please, visit Anozel’s bandcamp page : anozel.bandcamp.com
    PHYSICAL RELEASE : please, visit our merch page : welcometothechapel.bandcamp.com/merch
    Many thanks!
  1. Falaise 00:00
  2. Miriliflore 10:36
  3. Portugal (in my heart forever) 15:33
  4. Paddy’s Club 18:18
  5. Octobre 24:14

The eternal sunday

https://anozel.bandcamp.com/album/the-eternal-sunday

1.25 02:39
2.metz 09:31
3.cheptel 03:10
4.bleu 02:34
5.grès 06:22
6.a few weeks ago 14:12
7.kurtz 09:07
about
Home recorded during COVID-19 pandemic.

Released in CD by Wild Bless You! Records, available here : welcometothechapel.bandcamp.com
credits
released March 21, 2020

Wild Bless You ! Records – Confinement 2020 / The Wild Bunch *
Record available on : welcometothechapel.bandcamp.com
Anozel and Wild Bless You ! Records are working hand in hand.
DIGITAL RELEASE : please, visit Anozel’s bandcamp page : anozel.bandcamp.com
PHYSICAL RELEASE : please, visit our merch page: welcometothechapel.bandcamp.com/merch
Many thanks!

No Name

https://anozel.bandcamp.com/album/no-name

1.Pilé (Blame Me) 08:20
2.Décembre 08:22
3.SKY1 05:58
4.SKY2 08:24
credits
released February 14, 2019

FAMOM Ft. Benjamin Racine (vox)

Recorded, mixed, mastered by Guillaume “Chaton” Delachat

Waiting

https://anozel.bandcamp.com/track/waiting

FAMOM
credits
released March 27, 2018
Extra credits :
Marc Durand (nepasgerber.fr)
Louise Lallement (“Manque” by Sarah Kane, extrait, 1998)

Décembre

https://anozel.bandcamp.com/album/d-cembre

1.DÉCEMBRE 1 05:19
2.DÉCEMBRE 2 04:10
3.DÉCEMBRE 3 04:52
about
Self -created, played, recorded, mixed, mastered- at home in december, 2017.
credits
released December 25, 2017

Sténiole

https://anozel.bandcamp.com/album/st-niole

Made in a foggy trailer park through an alcoolized week-end.

Mix/Master at MicroClimat, Épinal
credits
released November 30, 2017

Reviews


Totoromoon — The Eternal Sunday
«Sans aucun doute mon album coup de coeur de l’ an nee.>>
“Definitely my favourite album of the year.”
“I like discrete things. I like secret gardens. I like humans who take their time and only let themselves be discovered slowly.
In music too, I like more than anything else records that are savoured progressively. Each new listening is different, revealing a new detail unnoticed the first time, raising a new emotion that one did not expect. “Anozel’s “The Eternal Sunday is one of those.
I liked it the first time. I liked it a little more the second time. And a bit more the third time. I don’t count any more the number of times I’ve listened to it. And it’s always a little more love each time.
A singular universe, with a unique charm.
Without a doubt my favourite album of the year.”

New Musical Horizons — The Eternal Sunday
ccPeut-etre sorti l’ album le plus intimiste paru pendant le confinement.»
Dreaminess is the essence of ANOZEL’s music. On first listen to The Eternal Sunday, there is a delicate, beautiful fragility running through all the tracks. There is also the lovely imperfection of the handcrafted production, touching with authenticity, and this
form of contemplation that I like to find at each listening of this record.
Hats off to Anozel, with The Eternal Sunday, you may have released the most intimate album ever during the lockdown.


Full metal Dedic — NO NAME
I really recommend listening to this EP on headphones, with your eyes closed, comfortably seated to feel all the sounds and all the emotions it gives off. Listening to it repeatedly, and when you come back to the first track after the last one, it feels like they follow each other, as if it was a loop. As if this set of tracks forms a cycle.
I’m really looking forward to the next series of sequences because I’m convinced that Anozel still has a lot of surprises in store for us, and not the least.

Brilliant French post rock band, using post-hardcore, ambient, grunge and experimental textures

Today I received a gem from Matthieu that will be released on January 17, 2022 the album “Paddy’s Club” with five melodies, long, well structured that recalls his spectacular release “Sténiole” in 2017. With wonderful and engaging arrangements, wrapped in disruptive narratives marked by winds and strings and beats that lead to the limear of ecstasy with an exquisite refinement.

With a smooth, growing and enveloping cadence, it shows creative and immersive multifaceted landscapes of extreme sensitivity and competence, an impressive work enhanced by magnificent riffs, chords and arpeggios that confront our duality in each uttered act.

An unmissable album for demanding connoisseurs, I recommend this wonderful work, congratulations to the band.

Aryon Maiden

Publicado por Aryon Maiden

Aficionado pela música em todos os momentos.

4 comentários em “ANOZEL

      1. William R. Harper. The American Journal of Theology, the University of Chicago: Deuteronomium erklärt . Alfred Bertholet , D. Karl Marti
        [[[“””The sketch of Israel’s religious history since Moses is well drawn, and in harmony with the prevailing views at the present time. Yet on some points doubt is still permissible. Every reader of a book that claims to be the work of Moses is naturally eager to know what degree of historic probability can be attached to the events recorded. Professor Bertholet assures us that Moses brought certain tribes out of Egypt, and that he taught them to regard the marvelous events occurring under his leadership as the deeds of Yahweh, a god living in his mountain shrine on the Sinaitic peninsula.

        But the difficulties of this assumption are constantly increasing. There is no external evidence
        of Israel’s sojourn in Egypt, or of the exodus. The famous inscription of Merenptah ( The fourth pharaoh of the Nineteenth Dynasty of Ancient Egypt. He ruled Egypt for almost ten years, from late July or early August 1213 BC until his death on May 2, 1203, BC, according to contemporary historical records. He was the thirteenth son of Ramesses II ), mentioning Israel among other tribes and localities in Palestine, and the recent discovery of his mummy, have discredited at least the traditional construction of the story.

        When one reflects upon the absence, so far as our knowledge goes, of any reference to Moses or the exodus from Egypt in Hebrew literature until after the period of political union under David and Solomon, it becomes increasingly difficult to extricate even a reliable kernel of historic fact. Recent investigations have tended to show that Sinai was a mountain on the eastern side of the Elanitic Gulf, (The Gulf of Akaba. “in the land of Edom”, I Kings 9. 26), and that Egypt may have come into the story by a confusion of Mizrim with Muzri, the north-Arabian country mentioned in Assyrian inscriptions. “””]]]

        This line of “research” so reminds me of the 5 blind men feeling differ parts of the anatomy of an elephant! Foreign alien Goyim, thousands of years removed from the T’NaCH literature, devoid of any and all culture and customs of the Jewish people who wrote the literature of the T’NaCH. These morons with a PhD, their utter and complete ignorance of ancient Israelite society and/or civilization – its really rather humorous.

        [[[“””Professor Bertholet shares the common notion that Saul and David, in giving their sons names compounded with Baal, in reality meant Yahweh, and asserts that Baal was a nature-god, “in der Natur aufgehend,” while Yahweh was a god of history constantly creating something new in the changes of time, and possessing from the outset a strong tendency to assume an ethical character wholly absent in Baal.”””]]]

        Foreign alien Goyim, they tend to focus upon developing some type of theology concerning the Gods. The contrast with Talmudic and Midrashic scholarship which never once mentions the Name of G-d; this post 2nd Temple Jewish scholarship directly compares to the Esther scroll – which likewise excludes the Name of G-d. What does the Chag of Purim prioritize? To drink to the point wherein a person lacks the mental ability to discern between the names of Haman and Mordecai? The absolute absurdity of that question turns this discussion back to the 5 blind men feeling an elephant.

        The mussar taught through the Esther scroll and Talmud and Midrashic literature thereafter … they prioritize the struggle to rule the oath sworn lands with justice, confronted by the opposing Yatzirot within the hearts of all bnai brit Israel. Aggaditah\Midrashim has no connection with history, anymore than do fiction novels: (think) War and Peace addresses the history of the Napoleonic invasion of Czarist Russia. Works of fiction often employ a historical backdrop as a medium of choice by which the author introduces his fictional characters.

        Foreign alien ‘biblical scholars’ they confuse history with the Aggadic prioritization which teaches prophetic mussar. The gross failure of alien Goyim professors and expert priests and pastors to understand how Talmudic Aggaditah\midrashim understand the k’vannah of T’NaCH prophetic mussar instruction; for thousands of years Jewish scholars have quietly laughed in utter dismay at the pathetic ignorance of these self righteous Goyim — who believe their Creeds, theologies, doctrines and dogma non sense. For 2000+ years Jews have shook our heads in “benighted” disbelief in the Messiah craze which manifestly defines European society. You simply can not educate stupid.

        T’NaCH literature – the first codification of prophetic mussar – as codified through a code of Common Law. This יסוד\foundation of mussar, upon it stands the much later Talmudic codification of Jewish Common Law – the Talmud. The church could never understand Talmudic common law as the basis of Jewish faith. Jewish faith defined through the oath brit alliance obligation of צדק צדק תרדוף…Justice Justice Pursue.

        Why do bnai brit allies require justice? The scroll of Esther teaches concerning the eternal conflict between Amalek and Israel. Torah mussar instruction teaches through the medium of משל\נמשל. The commandment to make eternal war upon Amalek, this משל, it teaches the נמשל דיוק of the commandment expressed in the mitzva of kre’a shma — to love HaShem with all your לבבך\כם. The Heart (plural) houses the opposing Yatzirot, like as Adam ate from the Tree of Knowledge of good opposed by evil.

        Aggadic mussar, like the novel War and Peace, employs a historical backdrop wherein this ancient Jewish literature introduces prophetic mussar instruction. Alien Goyim “scholars”, their pneumatic exegesis Heilsgeschichte narishkeit has produced the entire history of Xtianity theological dogmatism which defines European culture and custom ‘Good News’ imperialism. Post Shoah the western attempt to export democracy and convert all nations to this latest version of the ‘Good News’ narishkeit.

        The phenomenological Biblical translation narishkeit, the idea – that translating words from language to language accurately defines the words so translated. In short, Xtian biblical scholarship surrounds and inundates its reading audiences with absolute bull shit big sounding words of rhetoric – utter non sense. The schooled PhD arrogant language of superiority, conceals the total and absolute ignorance of Goyim “scholars” on the T’NaCH for 2000+ years. Students pay huge sums of money to earn a University degree. But their technical language which these graduates now speak, it conceals their absolute ignorance of T’NaCH and Talmudic Common Law.

        Curtido por 1 pessoa

  1. The false ירידות הדורות translation of Aggadik “litter-ature” as “non legal”. The issue: how does a person read the stories of Aggaditah\Midrashim?

    The Rashi commentary on the Chumash, this serves, at least for myself alone, as the יסוד which assisted me tremendously, just what sh’itta development required to learn Aggaditah and Midrashim. In the system of דרדס, דרוש ופשט, they go together like two peas in a pod. This understanding, it explains how Rashi’s commentary to the Chumash made sense, at least for me. The French school on the Chumash and Talmud, grew to admire this scholarship as hands down better than any other rabbinic scholarship on these most essential Primary Sources: T’NaCH, Talmud, Halachah, Aggaditah, Midrashim, and Siddur.

    Rav Nemuraskii repeatedly emphasized that as the rabbis of the Gemarah made the study of the Mishna their chief focus, post sealing of the Sha’s Bavli scholars needed to affix, (da’aven from a “”fixed location”), a specific blessing from the middle blessings of the Shemone Esrei tefillah bound (think Yitzak “bound” upon the altar) to a specific Parshah of the Torah. The Torah has 54 Parshaot. Learning tohor middot לשמה affixes a specific middah to a specific Parshah. This “fixation” permits Yidden to assign one of the four times repeated (think the רוח הקודש Name of HaShem) Parshaot to a singular and specific tohor middah of the Oral Torah pronouns of רוח הקודש.

    Aggaditah\Midrashim/, they make a דרוש upon a specific T’NaCH p’suk\sugiah/ — the codification of prophetic Common Law. As Gemarah Halachot make a רמז וסוד learning upon a specific Case\Rule Mishnah; the Gemarah Aggadot\Midrashim make a דרוש ופשט upon a specific Case\Rule T’NaCH sugia. The Holy Writings of the T’NaCH common law codification they learn the earlier NaCH prophetic sources – by employment of the rabbinic middot developed by Tannaim rabbinic sages. This latter system of middot logic, it contrasts with the 13 tohor middot wherein the NaCH prophets employ sugiot as middot comparisons to other sugiot precedents which contain within them the same Oral Torah middot דאורייתא of tohor logic. The comparative sugiot to sugiot sh’itta of learning NaCH, it defines just how the sealed NaCH masoret functions as the first codification of Jewish lateral common law. The 2nd codification of Jewish lateral common law (the Talmud) stands upon the יסוד of the first codification of Jewish lateral common law (the T’NaCH).

    The comparison of sugiot which share the identical set of tohor middot דאורייתא, this learning by means of precedents – it defines the פשט of prophetic mussar. Once a person has made a דרוש search of T’NaCH precedents — to attain the פשט of prophetic mussar — this learning, it defines the k’vanna of the stories contained within the language of Aggaditah\Midrashim. דרוש does not limit Aggadic\Midrashim language to a simple reading of the words employed within these stories, whose purpose exists to introduce talmidim to the T’NaCH Primary sources, to learn the prophetic mussar as the יסוד and k’vanna of the stories within all Aggadic\Midrashim later sealed Primary Sources.

    The study of Aggaditah\Midrashim weaves the prophet mussar learned from the earlier T’NaCH Primary Sources, into the much later Aggadik\Midrashim Primary Sources, sealed masoret – which by this definition includes both T’NaCH and Talmud. Aggadik\Midrashim weds the דרוש learning of these much earlier Primary Sources, designed to teach mussar by way of comparative sugia precedents,,, the T’NaCH prophetic mussar commandments. Applicable to each and every generation of bnai brit Israel who live upon the Planet Earth – specifically limited to within the lands of Israel. This sh’itta of learning, while it does not negate, for example, the idea that Aggadik\Midrashim stories often employ gender theme narratives; none the less, the sh’itta, how Rav Nemuraskii taught me to learn, this sh’itta of learning views these earlier Primary Sources – of the sealed masoret – this sh’iita of learning makes the common law precedent comparison of sugiot tohor middot contained therein, as the basis of the precedent search which most essentially defines the k’vanna of all Aggadik\Midrashim stories.

    Rav Nemuraskii always separated, so to speak, the steak and potatoes from the salt and pepper condiments. Aggadik\Midrashim scholars always strives to wed prophetic mussar unto these much later Talmudic Aggadic stories. A building of several stories height requires a solid foundation יסוד. Rav Aaron never divorced the learning of T’NaCH sugiot by means of logical middot precedent analysis from the contents\themes contained within the Aggadic\Midrashim stories; the first Common Law Torah codification always serves as the יסוד upon which stands the later Ha(Psak) – Halacha L’Maaseh rabbinic legal codifications of much later Talmudic common law.

    A key theme which prophetic mussar addresses, sexual conduct between the sexes. The story of Yechudah and Tamar or David and Bat Sheva or the behavior of the surviving daughters of Lot etc., they teach mussar applicable to all generations of bnai brit living. These stories do not exist, nor do they function, as history in by-gone days past! T’NaCH teaches mussar rather than history, just as the Talmud prioritizes Oral Torah logic above Law – Halacha L’Maaseh. As tefillah does not exist as a Torah mitzvah without k’vanna. So too and how much more so, Halacha L’Maaseh does not exist as a Torah mitzvah דאורייתא או דרבנן without k’vanna. Talmudic scholarship, therefore it seeks to make an aliyah of positive and negative commandments, commandments which do not require k’vanna … unto positive time oriented commandments, commandments which do require k’vanna.

    Curtido por 1 pessoa

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